Based on a 1924 Hungarian play (The Battle of Waterloo by Melchior Lengyel), Soulpepper’s Picture This is an entertaining farce that serves up real laughs. Relying mostly on slapstick and physical comedy, it’s a play that manages to both feel fresh and act as an affectionate throwback to a different era of comedy. It’s not profound. In fact, I probably won’t remember much about this play a year from now, but Picture This is most definitely a fun night out that saves the best for last in a hilarious post-credits scene.
In a 1920s Hungarian hotel lobby, the concierge doesn’t answer the phone, the bell-hop never seems to carry any luggage, and the waitress passes by without taking drink orders. No, it’s not the worst hotel ever, directors, actors, and composers from the local film scene have temporarily taken jobs as staff in hopes of being noticed by major Hollywood director Red (Cliff Saunders), who is staying in the building.
At the heart of the play is Romberg (Jordan Pettle), a down-on-his luck local film producer who hopes to convince Red to make his next silent film at his film studio in Budapest for $5,000 American dollars – a fraction of what it would cost to produce in Hollywood. In on the plan is old flame Milli (Michelle Monteith), an actress posing as a cocktail waitress, who would star in the film.
The twist comes in the form of a misunderstanding. When Red runs into an old friend, Mr. Brown (David Storch), who also immigrated to the United States decades earlier, they immediately catch up. The film industry observers witness the meeting and assume Mr. Brown is a business associate of Red’s. In actuality, he runs a fur shop in Buffalo and is kept on a tight leash by his prudent wife, who has just left town for a few weeks. Left in charge of the exactly $5,000 in life savings he and his wife possess, and free from under his wife’s thumb, Mr. Brown is swayed by Milli’s flattering attentions and goes along with the plan to finance a movie in Budapest – just as long as it’s completed in two weeks (before his wife returns!).
The second act sees Romberg and the rest of the local film scene trying to cobble together an epic film with a limited budget and a short window in which to complete the project. Adding to the dysfunction is temperamental (and somewhat sleazy) lead actor Boleslav, who has been cast as Napoleon.
The set is quite frankly so stunning that it deserves its own paragraph. I mean, I would happily live on this set for the rest of my life! Designer Ken MacDonald outdoes himself, creating a turquoise, art-deco inspired hotel lobby that is elegant, yet playful. Featuring dark wood and a recurring pineapple motif, the set is so evocative that I lamented its loss when the lobby gave way to a film set for Act II.
The humour is generally strong, with a few gags, both verbal and physical, landing particularly well. I guffawed as Romberg pitches his idea for a film about The Battle of Waterloo, Napoleon, and his beloved Josephine. ‘Of course, where would Napoleon be without his noble horse?’ cries a clueless Milli. An accordion-playing gag and a scene where bad actor Hudascek (Gregory Prest) lurks outside a window with his headshot are also laugh out loud funny. While Prest is excellent in a minor role, generating laughs even without speaking, I was less impressed with the actor playing the writer character, who comes off very one-note as he repeats his frustration with the historical inaccuracies in the film.
The standout performances of the night come from Buffalo couple Mrs. and Mr Brown (David Storch and Brigitte Robinson, respectively) though. Storch is pitch perfect as the meek fur salesman. Jumping at the chance afforded by a case of mistaken identity to gain some autonomy over his life by emulating his powerful old friend Red, he is swept away by the grandeur of the plan and the excitement it brings to his mundane Buffalo existence. Brigitte Robinson is an excellent contrast, stealing every scene she’s in with a wry and commanding presence.
On the otherhand, while I enjoyed both Michelle Monteith (as Milli) and Jordan Pettle (as Romberg)’s performances on their own, I would have liked to see more of a connection between them. As a couple they’re sweet enough, but the chemistry never really fully ignites.
All in all, Soulpepper’s Picture This is an entertaining comedy that’s sure to please, and has the added benefit of the best ‘Exit, Pursued by a Bear’ I’ve seen since The National Ballet’s (excellent) production of The Winter’s Tale! It’s definitely worth checking out, especially in this day and age, where we could all use a few hours of escapism and a good laugh.
Picture This plays until October 7th, 2017 at the Young Centre for Performing Arts in the Distillery District.
Photo by Cylla von Tiedemann